Kruda is a Handcrafted display sans with 3 widths and 5 weights with accompanying slanted version. inspired by a vintage grotesk on a worn out signs and this was an initial sketch for our typeface Naratif, but it went too far. so we completed the language support for LATIN, CYRILLIC, and GREEK. and decided to take the risk to release it.
TG Aqsa Grotesque Pro is the latest version of the font that was previously released in 2017, TG Aqsa Grotesque. In this latest version there are several optical fixes on each glyphs. In this latest version also added 2 new weights namely black and ultra black so that TG Aqsa Grotesque Pro has 6 fonts of different weights.
Still maintaining the sans serif grotesque style coupled with the improvement of the letter form make TG Aqsa Grotesque Pro have a good level of readability when applied as a body text. And this version also has extended latin which will support more than 90+ different languages.
Neometric is a contemporary sans serif that is built from a geometric foundation but with a more natural approach to the heavier weights creating an enhanced visual approach throughout. The standard version features sharp apex tops on the N & M characters creating a unique and powerful look that would be the perfect font for branding, digital or offline treatments.
Neometric features extensive European language support as well as basic Cyrillic to add to the flexibility and useability for big brands and small companies alike.
The font is made up of 36 styles, including two subtle design variations each featuring 9 weights plus matching italics.
Sweet Nancy is a monoline connected script typeface with a nostalgic, yet modern feel. Elegant cues inspired by Art Deco combine with a modern lettering style for lovely invitations, announcements, logos, book jackets and menus. Enjoy Sweet Nancy’s flowing lines in whimsical, romantic or fantastical designs.
Nomada Incise is a sans serif with flared stems. As such, it belongs to a genre that lies slightly off the beaten track, with a strong focus on handcrafted forms. Reminiscent of engraved letters, Nomada Incise is a solid choice for conveying a solemn atmosphere. It has quite a bit of contrast, with an oblique axis, which is discernible even in the lightest weights. Unlike the other families, Nomada Incise features diagonal stroke endings. The sharply tapering strokes, the accentuated vertices and the diamond-shaped dots enforce the impression of letters cut in stone.
Mikkel is a smooth and goofy script with an easygoing attitude.
A brushy script for anything that doesn’t take itself too seriously, Mikkel is the cheeky joker in TypeMates’ font library and the best buddy of expressive typography at large sizes.
And Mikkel is a double act. Along with its expressive script style, Mikkel has a ‘sans’ with a disconnected lowercase that allows it to pull off more tricks. As Mikkel’s script forms work their magic in logos and lettering, its close friend Mikkel Sans can ensure any additional text is clear and complementary.
As Mikkel’s uppercase is pretty swashy, we designed its small caps to be a little more restrained for all caps settings — keeping Mikkel’s soul and providing typographic contrast. Smart OpenType features take Mikkel back to its lettering roots; alternate characters ensuring tricky combinations and double letters stay smooth, smart and sunny.
An exuberant and bouncy typeface that’s full of fun at large sizes, Mikkel is also serious when it comes to your workflow. With over 1000 glyphs per font, huge Latin language support, OpenType features to give text the flow of lively lettering plus many typographic goodies like small caps, oldstyle and tabular numerals, Mikkel’s got it where it counts.
Da capo! Mikkel is extended with cartoonish icons to spice it up! We do not want to praise this goofy brush script too much but, c’mon, if you like eating ice cream in the sun, go with Mikkel.
Font Etruria is based on a real Etruscan inscriptions and realistic accurately simulates the writing of the Etruscans. The idea of the font Etruria is to give an opportunity for anyone to touch the past of mankind!
The character of the Etruscan alphabet involves the creation of a font with only uppercase letters. However, I did not limit this font by that. Etruria has not only a lowercase is different from uppercase, but an additional sets of alternative characters.
In General, the main characteristic of Etruscan writing is randomness and diversity of characters. Differs from lowercase to uppercase is only the first step on the road to make randomness effect. Next to the aid of the OT features. To recreate the randomness effect, in Etruria there are several OT features (Contextual Alternates, Stylistic Alternates and Stylistic Sets), which built a script to simulate randomness. Additionally, another script creates the effect of random positioning. Together they create incredibly realistic Etruscan inscription.
Thus, any of these features can be disabled at will. I also used a small line spacing, because it is characteristic of the Etruscan writing.
Actually the Etruscan writings is a mirror of the writings compared with the current European alphabets. I didn't use this feature all the letters, because this would make the font difficult to perceive, but to make the font characteristic of the Etruscan style, Etruria has a few letters in mirror image. However, if for someone it may seem unusual, mirrored letters can be disabled instead of them will appear more familiar to them.
Another feature of Etruscan writing is the use instead of a space dotacentered. Font Etruria has this feature, there is a OT feature Stylistic set ss03. Naturally, it also can optionally be disabled.
All these features can be used together, separately, or turn it off.
The main goal achieved! The text typed in Etruria, creates full impression of these Etruscan inscriptions.