Geraldton is a warm and friendly geometric sans-serif typeface in 8 weights with matching italics. Its low x-height and sharp angles are inspired by geometric types of 1920s and 1930s completed with a slight modern humanist touch.
It features support for all European Latin-based languages as well as Cyrillic script. Apart from being equipped with numerous OpenType features, it also contains dozens of computer-related dingbats.
Object is a geometric sans serif especially designed for contemporary typography and comes with 8 weights from ultralight to black plus handslanted obliques.
A large x-height not only creates space for smaller sizes, but also lends Object an open and generous character for print and screen. Many OpenType features including 642 ligatures, contextuel alternates, inits and stylistic set built into all cuts.
The font contains 1.118 glyphs with a wide range of flexibility for Latin language support for every typographical needs. Object is a contemporary geometric typeface, special for logotypes, brands, magazines and corporate design.
In 1885 Heinrich Wallau, printer and typographer in Mainz, picked up the idea of creating a rounded gothic font written with a broad nib. This idea was then realized by Rudolf Koch between 1925 and 1930.
RMU Wallau is a bringing back this beautiful font for present typography.
»XPress-Rounded« is my new addition to »XPress«, my Sans-Serif that impresses – especially in small sizes – with its outstanding readability. »XPress-Rounded« looks very different, almost like a completely new font. But the rounded version has the same seven precisely calibrated weights from »Thin« to »Heavy« and its corresponding italics make this font-family universally usable. The »XPress« fonts got their bearings from the fabulous American »Gothic« fonts of the twenties of last century. Modern, present day elements, high lowercase letters and infinitesimal elegant slight curves in start- and end strokes make the font family not only great for body copy, but also very useful in advertising. Enjoy!
»XPress-Rounded« ist meine neue Erweiterung zur »XPress« Familie, die durch aussergewöhnliche Lesbarkeit auffällt. »XPress-Rounded« sieht jedoch vollkommen anders aus als sein älterer Bruder. »XPress-Rounded« hat jedoch die selben sieben präzise aufeinander abgestimmten Schnitte von »Thin« bis »Heavy« und die dazu passenden Kursiven. Das macht die Schriftfamilie vielseitig einsatzfähig. Die »XPress« Schriften basieren auf der Formensprache der grossen amerikanischen Groteskschriften der zwanziger Jahre des letzten Jahrhunderts. Durch moderne Formelemente, große Mittellängen und unendlich leichte, elegante An- und Abstriche ist die Schrift jedoch nicht nur als Textschrift, sondern auch im gesamten Bereich der Werbung vielseitig einsetzbar. Viel Erfolg!
Giulio No2 is a typeface published by SoftMaker.
Hans Bohn’s Orplid, a shadowed sans serif font strongly influenced by the then prevailing Bauhaus style, and released by Klingspor in 1929, was revived and vastly extended for multilingual use. In addition, a filling style was made to easily accomplish colorful headlines, ads and posters.
Both styles come with alternatives for A, M, N and W.
Back to the movement in the decorative arts and architecture that originated in the 1920s and developed into a major style in western Europe and the united states during the 1930s.
Wt Bellochero is a single OpenType font that consists of 340+ glyphs including capital set, numeral & punctuation, stylistic set, unique ligatures, and catchwords. Included both individually crafted luxury font and produced carefully, the intention was to create a sleek and semi-modern elegance that symbolized vintage glory and sophistication. It combined modernist styles with fine craftsmanship.
The distinguishing features of the style are simple, clean shapes, often with a “streamlined” look; ornament that is geometric or stylized from representational forms.
Wt Bellochero is created for today creatives and it’s perfectly used for displays, signs, label designs, badges, logo, prints, apparels, editorial and much more. Great for constructing provocative headlines and titles.
Carefully crafted by hands, manually and digital.
Broadway No2 is a decorative 1920s font published by SoftMaker.
Cold Cuts is an assorted spread of delicious fonts pre cooked to perfection. This 10 weight font family is $30 for a limited time it is the perfect way to stock your font fridge. Cold Cuts a lean upright font family with a lowercase caps option to give you bonus typesetting choices. A sleek modern vintage style which has a wide variety of display uses. Bon Appétit!
Radar is a revival of the sans serif typeface “Grotesca Radio”, from the Spanish foundry Richard Gans, which existed from 1888 to 1975. His authorship is attributed to the German type designer and master punchcutter Carl Winkow. Although the new version of this font has always tried to keep accurate similarities with the original typeface, Radar is not intended as a strict revival, but as a contemporary interpretation. In this new version the user can find some alternate characters that give the typeface a more art-déco or neutral flair.
Balloon No2 is a decorative typeface published by SoftMaker.
Eurobia is a family of two typefaces - Regular and Plain. They are display faces with a strongly European feel and a strong flavour of the 1920s. My suggestion would be to use them for poster or banner work, or packaging or cover design, with the heading text set in Eurasia Regular and subsidiary text set in Eurobia plain. Why not give that European flavour to your next project?
We see Eurobia as a fun typeface, for advertising products like confectionery or concerts. We had a lot of fun designing it and hope you'll like it too!