Alexandra Thornber

Mister Big is a decorative typeface published by SoftMaker.

Getho is a Semi Sans family of geometric construction with 6 weights plus the italic versions all include small letters, the symbol of Bitcoin and other monetary symbols.

It is an exclusive typography with neo-grotesque modulations and maximum readability in any size. The typeface has alternative letters and numbers, small caps and advanced OpenType functions. The complete Pack includes versions of the Variable Fonts type.

The drawn of the vectors is meticulous to obtain smooth curves of elegant aspect to which also contributes the subtle rounding of the corners, the thicker versions have of traps of ink in the knots of the unions to be able to use them in small sizes. The Metric and the Kerning of all the versions I have reviewed individually to obtain a fluent reading in any type of text and size.

Binario Soft is a gently rounded version of Binario, which is also available on this vendor’s website.

Binario Soft is a geometric sans serif typeface with subtlly rounded edges to give a softer and warmer impression. It comes in three weights (light, regular, and bold) with matching obliques. Its simple, compact, and tightly cornered forms lend themselves well to screen-reading. 


Italian Art Deco and early 1900s advertising and shop signage were the inspiration for Binario. It also to pays homage to early modernism’s optimism, modularity, and efficiency. The shape of the rounded counters are based on the curve of the classic Roman arch. The bold has a vertical emphasis and is suitable for headlines or large body text. The light is more open and provides a nice pairing to the regular or bold weights as body text or as large display text. It comes with a small set of dingbats; an arrow, a printer’s fist, a train, some flowers, and several interface icons.

Aila is a surprising slab serif built on the structure of a realistic Roman, but with unique organic features that make this typeface an exercise in tension between structure and rhythm. This expressive tension is displayed in heavier styles (Aila Bold and Aila Black), and is strongly evident in the italic forms. Aila’s italics offer an interesting re-interpretation of the cursive ductus of classic italic forms, to offer rhythmic and swift variants, which are the ideal counterpoint to the regular set in body text.
Each style of the Aila family offers an extended character set specially designed for editorial design projects.

Handcrafted signs line the stoned walkways of old Italy. Some a century old, these often forgotten works of unknown artists remain etched across cities and villages. But now, they make their inviting impressions once again as the inspiration for insigne design’s Gineso Soft typeface.

Gineso Soft absorbs the personality of northern Italian posters, headlines and logotypes, providing a type especially nice for signs and titling with its condensed qualities. The font contains matching italics for the the eight weights and three widths. We’ve also included small features along with fractions and superior / inferior characters to broaden your options. Even more, Gineso Soft is ready for all applications and features a large character set for the languages ​​and literature of Europe.

So add a soft touch the next time you’re in a tight spot. Add Gineso Soft and make your project a work to be remembered.

Mohr Rounded—the new version of the original Mohr typeface—features curved and softer terminals which make the font look more organic, warm and friendly.

The Mohr Rounded family comes in three versions: normal, alt and italic, each with 9 weights, from Thin to Heavy, resulting in a total of 27 styles. The versatility of the font makes it suitable for a wide range of applications, from small text to high-impact headlines.

Mohr Rounded also includes initial and terminal swashes in most of the uppercase and lowercase characters. This provides a greater range of uses such as branding, packaging and identity design.