Federasyon was designed on the principles simplicity, legibility and functionality. The font family includes four weights and each weight has more than 240 characters on its own. Federasyon contains more than 10.000 optical arrangement data for each character to work in harmony with each other. Federasyon supports a total of 22 languages, including Western and some Central European languages.
Introducing
Raymod Colin Font Duo & Free 30 Logos
Raymod Colin Font a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!!
Raymod Colin Font come with 330 glyphs+. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.
If you have any question, do not hesitate to contact me by email [email protected] Thanks and happy designing :)
Monark family is designed with legibility and wide language support in mind. Rooted in Fyodor Dostoevsky’s Crime and Punishment, it captures the anguish & distortion atmosphere and suppresses them into ruthless letterforms. Top-heavy stems, heavy serifs, and low-contrast forms are all extractions of Dostoevsky’s dilemma. Rest assure this typeface would bring you all the needs for advanced typography with true small caps with symbols, 4 styles of figures, support for inferior/superiors, and more than 200 Latin languages.
Features:
• Support for 200+ Latin languages
• Low contrast with unique details
• Unique Italic letterforms
• Small caps with symbols
• Arbitrary and pre-defined fractions
• Support for superscript & subscript in normal & scientific alignments
• Proportional lining, proportional old-style, tabular lining, tabular old-style
Poly is serif typeface, inspired by vintage travel guides, it comes in 5
weights and 2 styles, a total of 10 weights. Each weights comes with around
500 glyphs and opentype features. Poly is best used for editorial publications.
Tejuela (Spanish for “Wood Shingle”) is a neoclassical type inspired by the wooden architecture of the ancient churches of Chiloé, an archipelago in southern Chile; which are World Heritage Sites. This typeface has rough and broken forms but with soft strokes.
The neoclassical characteristic of Tejuela is due to the architecture of these temples, which belong to this style but adapted to wood with excellent quality and ingenuity by Chilote builders using a material available in the area. Therefore, this typeface reflects the tradition of the fonts of that period, but adapted to the coarseness and warmth of the southern wood of the new world.
Tejuela is useful for extensive texts in literature, history, art and heritage; as also for short and large phrases in headlines according to the occasion.
Tejuela has eight variants in Roman a Italic versions, with small caps, Old Style and Lining numbers, ligatures, alternative glyphs, among other OpenType features; special mention to the capital letters Swash of the italic versions, which serve to generate delicate compositions. In addition, it has two stylistic sets to compose border ornaments inspired by the Chilote Architecture: colonnades and corners, only using the numbers on the keyboard; it is important that the line spacing has the same value as the font.
Its 800 to 940 glyphs are suitable for writing 219 different languages.
I appreciate the great help of Franco Jonas, Alexis Navarro, Marcela Aguilera, Pedro González & Diego Aravena in this process, among many people of the craft that they supported selflessly.
Sans-serif, with clean and fresh Character.
“Ye Paradigma” has been established in order to keep its forms as simple as possible - without losing the unique character of each letter, and without simplifying too much. The process was gradual, like the ripening of a sauce that leaves it to be reduced to strengthen flavors, so the letters ripened while reducing unnecessary details, until the taste became more concentrated and uniform.
The result is a clean, fresh, remarkably useful 24 fonts typeface, with a clear and stable graphic language.