Alexandra Thornber

Noticia Rounded is the extension of Noticia, my modernistic, constructivist font with that »Bauhaus« feeling. Names like Bayer and Renner come to mind as beacons of that time. Noticia is different in proportions and long ascenders and descenders make for good readability, slanted endings on some horizontal strokes give the font more dynamic. Noticia brings the old forms up to todays standards in typography. Enjoy!

Phoebe is an experimental font, roughly based on a kind of too wide square. But as it is with experiments, they tend to live an own life, uncontrollable. there are very few straight lines in this font and it looks familiar but then it doesn’t. Phoebe is a Titan as well as one of the outer moons of Saturn and Venus and Mars are alright tonight. Phoebe comes in 7 weights and all of them are quite useful once you start using them. Just look at the font and enjoy.

This typeface family is developed with a designer in mind. WBP Nel is a narrow sans serif with lots of options. The Regular consists of UPPERCASE and lowercase glyphs, beautiful kerning and a nice ampersand. All other styles are just uppercase and build to give your designs some extra flair. The Brickbuild is a playful, stencil version and the Dots (freebie) is a dotted typeface. The Light and Heavy version of the Regular will soon be released (mid-2019). These two will also come with a display variant. So you get lots of options to mix and match while designing awesome prints, posters, logo’s, websites or identities. One family. For designers.

Straightforward tone resulting in a modernist, Hergon Grotesk is a family of modern sans-serif. This Typeface is characterized by Neo-Grotesque which gives it a strong character, perfectly suited for any visual communication application. The family has 10 fonts ranging from thin to extrabold with matching italics.

Brillo Typeface stems from the effort of combining the modern look of a grotesque sans serif font with the elegance of the calligraphic copperplate’s swashes. The result is a typeface that is perfectly suitable for modern graphic applications, such as publishing, branding and web, but which has some ornamental features that differentiate it from all the other grotesque families.

Brillo doesn't want to be a neutral typeface. It’s a font with a strong personality, which can give outstanding aesthetic and conceptual relevance to the graphic projects which will be used in.

Brillo is a typeface thought for titling rather than for texts. For this reason it works better with character sizes bigger than 16 points.

946 is a multilingual techno-style family developed by Berlin-based type designer Roman Wilhelm (RomanType). While more and more text families have recently been extended to a multilingual and multi-script level, not so much attention has been given to the more decorative styles. The 946 family does exactly that.

A lot of care has been given to the various diacritics: they were designed a little more brutal, a little more European than with some other fonts of this category. Do also watch out for the non-Latin legs of this family.

946 is inspired by electronic music. When Roman found a second-hand Roland TR-606 drum machine in a store in his hometown back in 1995, he started to hang out with would-be DJs and musicians, trying to play the beats that went around the globe. When he started to study visual communication three years later, he was assigned the matriculation number of 946, which has now become the name of this family.

Language support: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Vietnamese, Zulu. Do also watch out for the other script versions of this family!