Displace 2.0 is a display sans-serif font family. Displace 2.0 is a humanistic sans-serif based on the calligraphic shapes with a pronounced handwriting contrast and open forms typeface. It has a natural thick-thin swelling and shrinking of the strokes as if it were draw calligraphicaly. Displace font family includes five weights: Light, Regular, Medium, Bold and Black. Try it!
Bitcrusher is an ultramodern, ultra-compact sans-serif typeface influenced by contemporary vehicle design and consumer electronics. It was designed for maximum compression, allowing you to fit more words in a line than techno typefaces normally allow. Bitcrusher is available in 5 weights an 4 widths. Condensed is pretty tight. Compressed is at the normal typeface compression limit. Crammed is unusually compact. Crushed is ludicrously concentrated. Bitcrusher features a stem, space and gap consistency which allows you to break the usual scaling and tracking rules. Do you want thicker stems? Take a narrower width and scale it wider. Want to go tighter than crushed? Scale it even narrower. You can’t break it. Mathematical symbols, fractions, numeric ordinals and monetary symbols are in good supply. Almost all current Latin based languages are supported, including Vietnamese, Cyrillic languages and Greek. The commercial use desktop license for Bitcrusher Condensed Bold is free.
The modern incidental, decorative and poster font that imitates the modern household handwriting or handwriting with a capillary or gel pen and rapidograph.
There are letters of the Russian and Latin alphabets in upper and lowercase with alternative outlines and ligatures, numbers from 0 to 9, simple fractions, mathematical and punctuation marks, different types of quotes and brackets in the set of characters.
Iconic is a rounded condensed sans serif typeface designed by Andrea Tartarelli together with Cosimo Lorenzo Pancini and Francesco Canovaro at Zetafonts. It’s a multi-purpose workhorse family designed for clear and effective editorial, interface and information design with minimum usage of space. The soft, rounded shapes are all derived from basic circular geometry, but slight humanist touches have been added to make the family look more informal and readable. With his slim, minimal aesthetic, Iconic embodies the spirit of contemporary tech, and the desire for an effortless, natural digital experience. The extensive range of weights allows both for text and display usage. In body copy Iconic excels in clarity from light to bold with a choice of medium and regular for text appearance fine tuning; in display use it allows endless design expressions with a range that goes from the hairline thin weight to the super-fat heavy, all with matching italics. To complement the basic, regular shapes of the Iconic family, a Stencil subfamily has been designed with a more aggressive technical look. Perfect for wayfinding, branding and interaction design, the six Stencil weights can also be used next to the base family for a rich textural approach to type setting. Both Iconic and Iconic Stencil feature an extended character set of over 1200 glyphs that covers over 220 languages using the Latin alphabet, as well as Greek and Russian Cyrillic. Open type features include small caps, positional figures, alternate letter forms, stylistic sets, arrows and extra punctuation and discretionary ligatures. A six-weight icon set, Iconic Pictograms, has been also developed in matching weights to the base family to allow maximum control over the design of digital interfaces using Iconic.
Noah is not just another geometric sans but rather extending the limits of the x-height for a further flexibility of a typeface. This type family encompasses 72 fonts grouped into four subfamilies with different x-heights — starting from the lowest one Noah Grotesque through Noah and Noah Text to the highest one Noah Head — all they including styles from Thin to Black with matching true italics.
The geometric structure combined with normal width proportions, moderate contrast and vertical stress make this type family suitable for various typographic usages whereas the enhanced legibility of Noah Text optimizes it perfectly for long texts, and Noah Head intended for strong headlines. Sharp details, terminals with humanistic flavor and typographic alternates of letters, such as the binocular “g” or the geometric “a” successfully blend the best aspects of both geometric and grotesque typeface classics.
The underlying flawless functionality show coverage of Extended Latin and Cyrillic with span for more than 130 languages; support of many OpenType features, such as localizations, tabular numerals, inferiors and superiors, numerators and denominators, fractions, standard and discretionary ligatures, case sensitivity etc.
The versatile characteristics of Noah type family are solution for every design challenge.
Designers: Svet Simov, Radomir Tinkov, Stan Partalev
Features:
• Over 650 glyphs in 72 styles (Thin to Black)
• Extended Latin and Cyrillic scripts for more than 130 languages;
• 4 different x-heights;
• Normal width proportions;
• Moderate contrast and vertical stress;
• Geometric characteristics and terminals with humanistic flavor;