Alexandra Thornber

Radcliffe Hand is a typeface family designed by Cosimo Lorenzo Pancini with the help of Giulia Ursenna Dorati, re-inventing our Radcliffe family as a handwritten typeface.

Each glyph of the original typeface has been lovingly traced by hand, interpreting every design quality as a calligraphic quirk, thus allowing Radcliffe Hand to live in the middle ground between type and writing. Thanks to its wide & highly legible humanist skeleton, imbued with the dynamic qualities of handwriting, the typeface works both in display and text sizes, balancing expressivity and readability, and excelling in editorial and packaging uses where you want the text to keep display quality without becoming too hard to read.

Radcliffe Hand has been developed in four weights plus an extra connected cursive version, Radcliffe Script, that can be used together with Radcliffe Hand or with the standard Radcliffe and Radcliffe Casual to add an extra touch of handwriting to your designs. All the Radcliffe Hand typefaces include over 400 glyphs with extended latin languages coverage, open type number positional forms and a set of twenty hand-drawn arrows that can be accessed through discretionary ligatures allowing easy creation of “fake handwritten” side notes to your text.

Attractive type system comes in 104 styles and 4 widths with extended coverage of the Latin-, Greek- and Cyrillic Script. The design origins of Attractive are in early-20th centuries technical style aesthetics, but they are combined with nice humanistic characters and details. We also made the typeface a little soft with small round corners, that way it reminds print work with hot metal typesetting and its much more legible on screen. The shapes are optically corrected, yet retain an uncut charm. The Regular and Medium styles are an excellent choose for small text sizes and and the width expansion makes it a great tool for books and magazines, branding, posters, as well as web and screen design. Attractive type system is equipped for complex, professional typography with Open Type Features including — localized forms, standard ligatures, numbers in circles, subscripts, superscripts, numerators, denominators, arrows, currency symbols and fractions. Attractive is carefully hinted and optimized for screens. The fonts are a perfect choice for digital use. To continue with the lettersoup tradition , two styles of Attractive are available free of charge. Njoy and be attractive!

Thank you for waiting. Finally, Beas Neue has got lowercases!

Beas Neue is a world wide, the most popular font family with all caps released in 2010. Bebas Neue has been used from by big companies to by startup designers for many projects.
In spite of the fact that Bebas Neue has only Uppercases, it became very popular font for these 10 years.

At the same time, we received many requests for adding lowercases.
To be honest, we had been developing whole new Beas Neue with lowercases secretly for long time.

Thinner Uppercase from thin to regular weights were redesigned for Pro.
New lowercases were designed to match the Uppercases very carefully.
You can access Tabular figures by using OpenType tnum features.
Almost all European languages are supported by Pro.

One more big thing is... Bebas Neue Pro has Italics!
Please don't use sloped Beas Neue. Pro has proper Italics!

Bebas Neue “Pro” can extend your possibilities.
Be the first to use this professional and premium Bebas Neue!

Conamore is a new Humanist Sans family. It consists of 16 styles (8 weights and 8 italics).

The structure of the typeface is in a position that is neither too modern nor too classic.
It was based on humanist frame and style, but we controlled the shape and removed potential eyesores so it can be easily recognized by people.

These characteristics are suitable for the design requirements, such as editorial design, packaging, branding, and display.

Cocogoose Classic is a geometric sans serif typeface designed with straight, monolinear lines and circular or square shapes. Its strong, modernist look has been soft ended by rounded corners and slight visual corrections that make Cocogoose Classic not only perfect for logos and headings with a vintage feel, but also very readable as a text font, thanks to its generous x-height.

Cocogoose Classic is part of the Coco Gothic family, a collection of twelve typefaces each inspired by the fashion mood of every decade of last century, named in homage to fashion beloved icon Coco Chanel. Its strong character makes it ideal for display uses.

Heraklion letters are drawn with their gravity in the metric vertical – instead of resting on a baseline, they dance acrobatically on a string. This allows for a more drastic variation among the glyphs, which no longer have a fixed x-height.
In order to create a simplistic and mathematic character, shapes are constrained to circles and straigh lines. The design principles result in a playful expressive set that is surprisingly clear. “A choreography where the individual actors freedom of expression is enclosed in foundational rules that create interconnectivity and belonging.”