Alexandra Thornber

History is always in sight; it is constantly being reconsidered and reformulated in the context of now. We see approaches to art, fashion, textiles, homewares, furnishings … not to mention music, graphics and everything else that culturally enriches our daily lives, revisited and made anew for today. 
 
Address Sans indulges in the spirit and aesthetics of mid-century Modern – Italian industrial design, sleek coffee makers, stylish cars, seductive jazz pressed on vinyl – with a charm and charisma that defies time. It evokes history but is decisively created for today. 
 
Its design, in reality, is rooted in the condensed structure and block modulation of early 1950s German lettering intended for use in street signage, but when we started to work on the various weights and widths, the result was a set of fonts in a style similar to the typographic work developed by Butti and Novarese in the 60s. The multitude of potential applications for Address Sans then became clear. 
 
In a range of 3 widths and 8 weights each, Address Sans includes little verses, true italics, small caps and numerous alternative signs for a total of 48 fonts. The result is a functional typeface that is effortlessly seductive, with geometric features and design details that ooze cool, and take it away from mere reinterpretation towards typographic forms that adapt perfectly for contemporary use.

Ari Cube Spiro is a typeface one should play with IMHO. There are two styles in this family: regular and bold. Bold is kind of outlineish, extruded, stampstyle font fits perfectly on top or under regular one. Giving thus possibilities for coloring options.

The way I like to use Regular Spiro is to make some words, make fonts to paths, ungrouping, break apart, select all and give selected paths random color. And this all as a vector graphic.

Use this font to create awesome hippie, surfing, book covers, album covers, retro stuff, liquid kind of things and wine bottle labels.

I consider this typeface family original and unique.

There is no kerning with the AriCubeSpiro typeface family, since fonts are designed to overlap each other!

AriCube typefamily will play well with this font.

Musubi is juicy, flavorful display face inspired Tiki culture. Use it to make a big splash on posters and signage. This swinging face’s special features include Small Capitals, tropical symbols, and decorative borders. Its funky and flared design is also perfect for a spooky Halloween bash!

Introducing a new Pchycedelia font trio called Lucidity. Embracing the pcychedelia era combined with modern touch. Lucidity font family comes with open type features such as stylistic alternates & ligatures.

Lucidity is mainly intented for logo, headings, branding, magazine, cover album, book cover, movie, apparel design, quotes, invitations, flyer, poster, greeting cards, product packaging, printed quotes, etc.

“Safety first!” claimed the sign. The janitor huffed, and continued mopping up the nuclear sludge from the floorboards. Just another day in the wasteland.

Industrial Spill is available in three destructive styles:

- Regular (great for those warning signs that everyone ignores when rummaging for salvage)
- Ooze (reminds you to always clean up after contaminated muck covers the floor)
- Wasteland (gives that wonderful feel of wandering around a desolate landscape)

Please note that Industrial Spill Wasteland is highly detailed, realistic texturing. It may render slowly in older applications.

Each font includes:
- A complete set of uppercase and lowercase letters, basic punctuation, numerals and currency figures, and diacritics
- Stylistic Opentype Alternates to avoid letter crashing
- Punctuation shifts in All-Caps scenarios for better placement
- Western Europe language support

Need an extended license? Simply email us at [email protected] and we’ll be happy to help!

A collaboration between Dave Savage of Savage Monsters and Aaron Bell of Saja Typeworks.

Get in touch:
We’re here to help! If you have any questions or need assistance, please DM or contact us via [email protected]

Languages supported:
Abneki, Afaan Oromo, Afar, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Arrernte, Arvanitic (Latin), Asturian, Aymara, Basque, Bikol, Bislama, Breton, Cape Verdean Creole, Cebuano, Chamorro, Chavacano, Chickasaw, Cofán, Corsican, Dawan, Delaware, Dholuo, Drehu, English, Faroese, Fijian, Filipino, Folkspraak, French, Frisian, Friulian, Galician, Genoese, German, Gooniyandi, Guadeloupean Creole, Haitian Creole, Hän, Hiligaynon, Hopi, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Kagaw Ya, Kapampangan (Latin), Kaqchikel, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Latin, Lojban, Lombard, Makhuwa, Malay, Manx, Marquesan, Meriam Mir, Mohawk, Montagnais, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Norweigan, Novial, Occidental, Occitan, Oshiwambo, Palauan, Papiamento, Piedmontese, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romansh, Rotokas, Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Slovio (Latin), Somali, Sotho, Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tetum, Tok Pisin, Tokelauan, Tshiluba, Tsonga, Tswana, Tumbuka, Tzotzil, Uzbek (Latin), Volapük, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu.

Introducing Luckystrikes, a handwritten script-font inspired by a poor amount of characters in the 1950-style advertising of the well-known American cigarettes. Kustomtype redrew this font with a very clear and cool old-script style. This font is great for all your creative projects. Luckystrikes comes with uppercase, lowercase, numerals, punctuations in script so you can use it to customize all your designs. Perfect to use for Logos, Letterhead, Poster, Apparel Design, Package design, Label design etc. Luckystrikes is designed by Coert De Decker in 2018 and published by Kustomtype Font Foundry.