Alexandra Thornber

Dehjuti /de.'hju:.ti:/, predominantly based off Dwiggin’s Electra, with shades of Palatino, is a modern and stately slab serif. Like its inspirer, it has broad counters and spacing, which temper it and give it warmth, making it comfortable and well-suited for longer texts. It is balanced in all aspects, from its punctuation to its reference marks and symbols. Its design takes into consideration all extra characters for languages that few fonts support, such as African and First Nation. These extra characters, such as Edh, Esh, Gamma, Ezh, Yogh, the pharyngeal fricatives, the click consonants, which have added capital versions, the glottal stops, et cetera, actually look like they belong, as opposed to being afterthoughts. The italic incorporates a touch of Arrighi. It includes all transcription systems relevant to the Latin, Cyrillic, and Greek alphabets, as well as standard Coptic, plus extra characters for Teuthonista and First Nation. It also includes, to list a few, Egyptian-styled pictographs (where applicable), APL, virtually all mathematical symbols and arrows, and a ton of extra characters in the Private Use Area for African, First Nation, and lesser known languages, to be used with programs lacking open type technology. Note: Dehjuti has three variants: Regular Cyrillic, Bulgarian (B) Cyrillic, and Macedonian/Serbian (MS) Cyrillic.

Genia is a script typeface that carries roundhand calligraphy DNA. Instead of using pointed nib pen, Genia was created using a fine brush resulting in clean and wavy character. With the OpenType features, Genia creates the natural feel of calligraphy writing. This contextual feature makes the font ‘smart’. It knows which letters are the initial and which one is the finial. The feature can be activated in the OpenType section under the names of CALT or Contextual Alternates. Genia also gives you old style and proportional number options.

Our advice is always turn the contextual alternates, and don't use the OPTICAL kerning on Adobe softwares. The preview on this site does not support the contextual alternates.

Inspired by German grotesk from XIXth century. Driven by the spirit of 1950s Swiss Style. Designed with a hint of constructivist approach. Neue Alte Grotesk is a minimalistic typeface with a distinct character. It is created to connect both new and old. It will look good in juxtaposition with retro-styled illustrations and ultra-modern graphics.

Ding extra, is an extended version of Ding where you can find layers, shadows, lines, dingbats, it is a very versatile font, it contains Cyrillic alphabet, as well as many ligatures.

Gordita is a minimal sans serif typeface with a geometric foundation that has been built upon with modern details that result in an optically balanced, friendly typeface.

When designing Gordita referring to features in Futura were influential as were the structural and harmonious strokes of Gotham. Forms have been optically compensated to appear natural and purely geometric. Joints are slightly tapered and ink traps feature in heavier weights with the purpose of achieving maximum legibility.

Gordita has been tested in print and on screen in a wide range of point/pixel sizes. The family is equipped with OpenType features including alternate glyphs, fractions, case sensitive forms, small figures, arrows and symbols as well as old style and tabular figures.

Now delivered in 7 weights with matching italics that slant at 15°. The italics are slightly lighter and narrower than the upright versions. The horizontal weighting in the italics have been reduced to compensate for the loss of vertical stroke thickness.

With support for over two hundred languages with an extended Latin and Cyrillic character set, Gordita is ready to be put to work. Designed by Thomas Gillett, metrics and engineering by iKern (Igino Marini).

The family has been recently updated to include two additional weights (Thin & Ultra + their matching italics) as well as slightly opened apertures for better legibility in the heavier weights, new glyphs and more opentype features.

Abakadabra is a headline font inspired by sans-serifs of the first half of the twentieth century, as well as by the tricks of fakirs, illusionists and charmers. The gently playful manner of the font can be exaggerated to a more pretentious and grimacing one, or can alternatively be calmed to a neutral appearance. Abrakadabra supports most European languages and has thematic emoji symbols. The text can be customized by using stylistic sets or the Swashes and the Stylistic Alternates buttons in the OpenType panel.

Kelpie is a hand-drawn typeface based on informal writing and includes 2 styles: regular and monoline. It is a full of energy font with the irregular look and slightly scrawled letterforms with long ascenders and descenders. Kelpie can look casual, open and friendly or even add an eerie undertone to your text. It is recommended to use for display titles and small amount of text, words or short phrases.

Kruda is a Handcrafted display sans with 3 widths and 5 weights with accompanying slanted version. inspired by a vintage grotesk on a worn out signs and this was an initial sketch for our typeface Naratif, but it went too far. so we completed the language support for LATIN, CYRILLIC, and GREEK. and decided to take the risk to release it.

Fragua Pro is a family of 14 fonts (Latin Extended-A and the Cyrillic alphabet) Condensed Sans Serif of geometric construction inspired by the Russian constructivism of the mid-20th century; the typography has a rounded finish in all corners to avoid the coldness of the rectilinear fonts and providing warmth and docility, the ascending and descending short and a high height of the x make it very compact, all this results in a unique typeface with maximum readability due to the careful configuration of metrics and Kerning.

The cursive styles have an inclination of 8 degrees and a narrower proportion than the regular ones, they also have their own letters and meticulous optical corrections to compensate for the deformations produced by the inclination.

Fragua Sans has Advanced Open Type functions, several alternative letters, full support for numbers, monetary symbols and crypto currencies and more. 681 glyphs.

This typography is specially designed for advertising and editorial composition, behaving correctly in both short and medium texts and headlines where horizontal space saving is needed, being an ideal typographic system for signage, editorial or corporate design.
This typography is dedicated to the memory of my grandfather C·ndido (Pa), the blacksmith of my town.

THE COMPLETE 14 FONTS PACKAGE INCLUDES THE REGULAR VERSION IN “VARIABLE FONT” FORMAT, compatible with Adobe CC 2018.