Rifton is a black display typeface designed for use in large sizes. Available with 5 styles, Rifton has the same uppercase alphabet, numbers, punctuation, symbols, and miscellaneous characters. also includes full Open Type features like Ligatures, Symbols, Alternates, and super wide alternate glyph shapes.
Rifton is ideal for making a bold statement in headlines, titles, or Logo Design.
Majora is a slab serif typeface which derives its name from a Portuguese historical toy manufacturer. The font comes in 8 styles, ranging from a delicate Thin to a robust Black, with matching italics and an upright version of stencil fonts, resulting in a total of 24 weights.
Majora is well-suited to a wide range of design projects which include packaging, editorial design, screen use, etc. Its humanistic features and moderate contrast between thick and thin strokes make it also suitable for long block of texts while having a high degree of legibility. The font includes a set of alternate glyphs which help give your compositions a different and unique look.
The Stencil version was specially designed for use in signage, packaging, titles and headings.
Majora contains a set of 520 characters that support over 200 Latin-based languages.
Modal Stencil is the counterpart of “Modal”. It also comes with 15 fonts in 5 weights and 3 styles, each font covering around 800 glyphs. You can switch between Stencil and Normal without any changes in spacing or proportion. As a stencil type family, it offers an additional tool to create distinct designs in branding, editorial or web.
Modal is a sans serif type family intended for corporate, editorial and web design. It comes with 15 fonts in 5 weights and 3 styles: normal (upright), italic (right) and back italic (left). Each weight comes with around 800 glyphs and supports a large variety of and features such as ligatures, small caps, figure sets, case sensitive glyphs and so on. With its two italics, Modal offers new possibilities for designers and creates an additional tool for distinct typography.
Indikator is a family of humanist-style sans serif fonts. There are five weights in the Indicator family; these range from Light through Bold. Each weight has both an upright as well as an italic font on offer. The italic fonts contain slanted, or oblique-style letters. The letters in each of Indikator’s weights appear virtually monolinear, in terms of stoke contrast. Strokes end in either horizontal or vertical cuts, rather than in diagonals. The fonts have a large x-height, and the lowercase letters’ ascenders are taller than the heights of the capital letters. Indikator’s numerals are tabular lining figures; these are just as tall as the fonts’ uppercase. The fonts’ OpenType features include alternate forms for the ‘I’, ‘J’, ‘4’, ‘i’, and ‘l’ – as well as a more Scandinavian version of the ‘Å’. There is also an alternate version of the zero, with a slash running through its counter. Indikator had a lot of character and verve than many other humanist sans serif families. It feels a little ‘old-timey,’ like it is channeling design ideas from the first half of the twentieth century, rather today’s Silicon-Valley-style designs. Indikator is an excellent selection for use in corporate communication or editorial design work. It will surely also come to good use in publications about contemporary culture and lifestyle issues. Indikator is the work of Frode Helland, a type designer from Norway.
Thanks to the brand new Geogrotesque Cyrillic, the popular Geogrotesque now supports Latin and Cyrillic alphabets, adding support to millions of speakers. This new release also includes an expanded version of the existing Latin script, and now you can use Geogrotesque in more than 115 languages from all around the world. The type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics and it’s available in Open Type format.
Alvar, a modular Humanist-flavored Sans Serif typeface, is ideal for corporate use, and brand and corporate identity design. The font performs well for mid-length text. Alvar is a neutral and clean font but it has friendly and modern design characteristics.
Alvar comes in 8 weights with matching italics and the whole family is composed of 3 subfamilies: Pro, Essential and Alt Essential, resulting in a total of 48 different styles. The Pro version includes a Latin Extended character set and OpenType features—stylistic alternates, small caps, case-sensitive forms, proportional and tabular figures, currency symbols, etc. The Essential and Alt Essential versions are well-suited for both web and corporate use.
Thank you for inspiration Alvar Aalto!
Special thanks to Alfonso García for his help with digital editing—especially for his contribution to the design of the beautiful italics.
Sultan Ruqah is a attracting font, Designed by Sultan Maqtari. This is one font of the Sultan Fonts families that supports a variety of scripts including Arabic, Persian, Urdu, Uthmani, and Kurdish.
The Sultan Ruqah has its own family with 8 unique fonts varying in weights and width. All characters, punctuation and styling have all been improved keeping in mind the required feel and beauty of the font for a wide corporate use, The 8 fonts include lots of styles.
Nuber Next is a modern geometric sans influenced by the popular neo-grotesques of the 1950s including Helvetica and Univers. Carefully remastered from the original Nuber type family to improve letter shape, overall uniformity and introduce a flexible width system capable of handling a wider variety of modern typographic methods. Details include 573 characters, nine weights, five widths with matching italics, alternative uppercase R, alternative lowercase a, e, g, i and y. Opentype features include five variations of numerals, numerators, denominators, fractions and language support covering Western, South and Central Europe.
HS Gold is based on some modern lines of Naskh calligraphy which supports Arabic, Persian with a Sans Serif with subtle round on stems and corners.
The typeface has been optimized for corporate identity work, editorial design and modern projects when a contemporary and simple look with a similarity between Arabic and Latin is requested.
It features swash, ligatures and swash ligatures. Its proportions allow high impact on the tightly set lines of big and small text alike. This font consists of two weights (regular and bold) which can constitute a striking addition to the library of Arabic and Latin contemporary fonts models that meet the purposes of various designs for all tastes.
SF Kitab is An Arabic typeface for desktop applications.
The font is dedicated for printing diverse books and publications.
SF Kitab is clear and the reader feels comfortable reading long texts.
It is contains two weights: normal and bold.
This font supports Arabic, Persian and Urdu.